
Date: February 24, 2018
Venue: Dream Kona, Uhuru Park
Time: 10 am – 5 pm
Entry: Free
Exhibition: Taking My Pen for a Walk by Mercy Kagia, Feb. 15 – Mar. 14 2018 @ Polka Dot Art Gallery

‘Taking my Pen for a walk’, an exhibition of recent work by Mercy Kagia.
Opening: Thursday, February 15, 2018
Venue: Polka Dot Art Gallery
Time: 6.30 – 8.30 pm
Until: March 14, 2018
About
Mercy Kagia was born and grew up in Nairobi before moving to the UK to attend art school. She gained a BA (Hons) in Illustration before moving on to a Masters in Drawing as Process. Her academic achievement culminated in a PhD in Documentary Drawing from Kingston University, London. She has been teaching in higher education since 2003 in various colleges and universities in London and Bavaria, Germany, as well as running drawing workshops in various countries. She combines her academic career with practice and has exhibited widely in UK, Bahrain and Germany, as well as seen many of her commissioned portraits and observational drawings acquired around the world. Her work is mainly based on direct observation and for this she has been commissioned to document various events and projects as a reportage artist.
Art Exhibition: Kikulacho, Feb. 10-11 2018 @ BIEA Seminar Room and Compound

Dates: February 10-11, 2018
Venue: BIEA Seminar Room and Compound
Time: 11:00 a.m. to 6:00 p.m.
About
Kikulacho, Nairobi brings together a diversity of thinkers, artists and cultural producers in an artistic process which seeks to absorb, engage with and reflect upon people’s complex relationships with, and experiences of, food and the ‘stuff’ of food. This project follows on from the success of Remains, Waste and Metonymy I in 2015/16, and Remains, Waste and Metonymy II: Sensing Nairobi in 2017.Food, and the nourishment it provides is vital in multiple and diverse ways; and it becomes central to people’s everyday experiences. Our relationship with and experience of food, its associated practices and the ‘stuff’ of food, is intriguingly complex, diverse, and ephemeral.
Kikulacho, Nairobi explores the ways that food – in all its diversity of material forms, practices, meanings, symbolic association and values – has, and continues, to form, and give shape to multiple, contradictory, sensorial experiences of and insights into urban living.
Using this as our central unifying theme, Remains Waste and Metonymy III: Kikulacho, Nairobiconsiders the ephemeral and material significance of food; the multiple functions and interplay between food, performance, ritual and identity; the spaces for food’s production, distribution and consumption; and the multiplicity of physical, social and political networks and relations in which food is embedded.
Until Now! Photographic Exhibition by Osborne Macharia & Kevo Abbra, Feb. 9-25 2018 @ Alliance Française

A photographic installation on Afrofuturism by Osborne Macharia & Kevo Abbra.
Opening: February 9, 2018
Venue: Alliance Francaise
Time: from 6.30 pm
Entry: Free
Special DJ Set by Blinky Bill on Friday, 9 February at 6.30pm.
On Until, February 25, 2018
About
Welcome to the artists’ utopic world integrating a reconstructed past, a perceived present and an imagined future.
Find more info. here
Exhibition: Reflections by David Roberts, Linda Furniss & Olivia Pendergast, Feb. 7 – May 1 2018 @ Sankara Nairobi

Opening: February 7, 2018
Venue: Sankara, Nairobi
Time: from 6.30 pm
Entry: RSVP (linet.shavisa@sankara.com)
On Until: May 1, 2018
About
Once again One Off is delighted to partner with Sankara to host three talented artists in a group show titled ‘Reflections’; David Roberts with his sensitively rendered flowers and landscape portrayals of some of the remoter areas of Kenya; Linda Furniss with her refreshingly competent use of oil pastel in drawing some of Kenya’s best loved street scenes and finally, Olivia Pendergast’s oil paintings, which are proving to be one of the hottest ‘must haves’ on the art buyers wish list.Please RSVP to linet.shavisa@sankara.com if you would like to attend the opening at Sankara on Wednesday 7 February.
ECCE- HOMO, an Encounter with Early Machismo And Migrants Forever? Exhibition by YONY WAI-TE @ the Nairobi Gallery

Venue: Nairobi Gallery
Time: 2 pm
Free Entry on the Opening Day
About
Ecce- Homo, an encounter with early machismo is a body of work that was inspired early last year when I unexpectedly encountered a group of enormous rusting steel sculptures, depicting early Stone Age hunters and their prey, high in the cactus covered High Sierras of central Baja California, Mexico.Based on rock paintings by the isolated and mysterious hunter gatherers of that spiny inhospitable region, those sculptures, by a seemingly unknown artist and standing ten feet tall completely bewitched me with their virile splendor. I somehow realized anew how powerful it must be to be a “Man” wild and free, hunting with your mates and with them being the sole providers for the clan, family or herd.
Migrants is a subject I have explored in so many ways over the years. Nowadays once free moving people have become herds of landless and pathetic migrants. What kept me in Africa as a painter for so many years was mostly this once vast land with its free roaming animals. Now there is really no room left to roam free. Hence the question, Migrants forever? Yony Wai-te




