faces-of-zimbabwe

Special Exhibition: Faces of Zimbabwe Sculpture Exhibition, Dec. 3-8 2016 @ BIEA

faces-of-zimbabwe
Dates: December 3-8, 2016
Venue: British Institute of East Africa

About
The British Institute for Eastern Africa is hosting from the 3-8 December a very special exhibition, which has not been seen in Nairobi before.

“Faces of Zimbabwe” shows 100 sculptures from Zimbabwe, created by more than 20 artists.
Anyone interested in the artistic expression of the continent should not miss this opportunity to see one of the most impressive modern art forms of contemporary Africa.

Additionally three films will be shown which depict the roots of this art. The films were made in the 90’s. Most of the artists are no longer alive. Some of their pieces are also at the exhibition.

This unique show of Zimbabwean sculptures is open daily from 10am to 5pm. The vernissage is on Saturday, the 3rd of December at 4pm

Imprints by Gor Soudan | Photo via Red Hill Art Gallery

Exhibition: Imprints by Gor Soudan, Nov. 27 2016 – Jan. 25 2016 @ Red Hill Art Gallery

Imprints by Gor Soudan | Photo via Red Hill Art Gallery
Imprints by Gor Soudan | Photo via Red Hill Art Gallery
Opening: November 27, 2016
Venue: Red Hill Art Gallery

Until: January 25, 2017

Contacts: info@redhillartgallery.com | 0700 108989 / 0700 108626

About
We are pleased to invite you to the opening of the exhibition of ‘IMPRINTS’ by Kenyan artist Gor Soudan on
Sunday, 27th November 2016 from 11.00 am to 5.00 pm.

www.redhillartgallery.com

recent-works-iii

Exhibition: Recent Works III, Nov. 26 2016 – Jan. 17 2017 @ One Off Contemporary Art Gallery

recent-works-iii
Opening: November 26, 2016
Venue: One Off Contemporary Art Gallery

Until: January 17, 2017

About
One Off welcomes you to its last exhibition for 2016. Recent works III will comprise un-shown or little shown significant works by all our gallery artists including Peter Ngugi, Beatrice Wanjiku, Peter Elungat, Richard Kimathi, Florence Wangui, Ehoodi Kichapi, Harrison Mburu, James Mbuthia, Chelenge, Timothy Brooke and Peterson Kamwathi.

Find more information, here

wrong-number

Exhibition: Wrong Number by Lemek Tompoika & Paul Njihia, Nov. 24 – Dec. 31 2016 @ Kuona Trust

wrong-number
Opening | 24-November-2016 | 6:00 PM
Venue: Kuona Trust, Centre for Visual Arts
Location: Likoni Lane, off Dennis Pritt Road, Kilimani

Exhibition continues until 31 December 2016

About
Exhibition by Lemek Tompoika & Paul Njihia interrogating the use of alphanumeric symbols as objects of identity and status.

Numbers are significant symbols in the modern society. They have been used to represent individuals and their positions. In the west, individuals are more identifiable by their Social Security Number, while more recently locally, the Personal Identification Number (P.I.N) has become a more specific form of identification to access various services. These numerical labels are designed by governments and corporations of many countries as a means of tracking individuals for purposes of taxation and other government-related functions therefore aiding institutional discrimination, oppression and inequality among humans.

Lemek Tompoika examines how the use of these symbols has replaced actual persons; how humans become statistics during voting and how names identifiable to local cultures have been replaced by western identification numbers. He uses archival text and imagery from newspapers and emphasizes the perception of newspaper as a status symbol.

Paul Njihia’s work explores how numbers in the education system are used to define students. This is clearly seen in exams whereby the marks that a student gets and ranking position overshadows the students’ characters, talents and other abilities. On the other hand the quality of education is assumed to go hand in hand with the amount of school fees that an institution charges. This obsession with marks, position, fees and other form of numbers has compromised on the quality of education.

‘Wrong Number’ looks at how this system of using symbols/numbers/digits can be manipulated to include or exclude and how it often leads to disenfranchising.

Dialogue by Evanson. Photo via the National Museum

Exhibition: Dialogue with Evanson Kangethe Njuguna, Nov. 5-30 2016 @ National Museum

Dialogue by Evanson. Photo via the National Museum
Dialogue by Evanson. Photo via the National Museum
Dates: November 5-30, 2016
Venue: National Museum

DIALOGUE
This exhibition is a selection of works that represent the artist’s long-term trajectory defined by figurative representational art, linism and ‘smoke painting’

Evanson Kangethe Njuguna began as a self-taught artist in 1982, then received art tuition from John Mayienga, lecturer Department of Design, University of Nairobi. In 1985-1987 he created murals on commission. In 1990-2011 held several solo and joint art exhibitions in such places as the Nairobi National Museum, French Cultural Center and Goethe Institute. Other works have been exhibited in Germany and USA, among other countries. Most recently he had a show at the British Institute in Eastern Africa. One of his sculptures is in permanent installation at the Nairobi National Museum. Kang’ethe also volunteers at Nest Childrens Home in Limuru as an art tutor as well as theatrical practices.