A Call to Visual Artists by Feb. 21 2014: Beautiful Delivery – Making Pumwani Hospital a place of Healing & Joy

A Call to Visual Artists to give to a coming generation of Kenyans

Beautiful Delivery – Making Pumwani Hospital a place of Healing and Joy Project

Deadline is February 21, 2014.

Background
Pumwani Hospital is an Obstetric and Referral Hospital for delivery of expectant mothers in Nairobi, and adjoining districts. Pumwani also caters to HIV+ mothers through its PMTCT program. Daily normal deliveries are 50 – 100, and Cesarean Sections are 10 – 15. It is the largest maternity hospital in Kenya and Sub-Saharan Africa.

Artwork in hospitals can serve as a positive distraction for what the patient is experiencing. It is the ultimate way to demonstrate the healing power of art and its utility beyond aesthetics.

In 2004, a clinical study* showed that placing original artworks within the healthcare environment had the following benefits:

– Reduction in levels of anxiety, stress and depression
– Reduction in patients’ length of stay within the hospital
– Reduction in the use of some medications
– Increase in staff morale

*Public Art in Health Spaces

The Situation
Pumwani’s hospital walls are stark and drab, with images from posters of dying and deformed babies, mostly information NGOs that still practice shock advertisement to push mothers to bring children for immunization etc.

The walls at the Antenatal Clinic were recently repainted by Google. The new walls remain empty and for the women who bring the children there, the clinic is dreary and uninspiring.

The garden where relatives of women in labour (often husbands) and mothers-to-be await the arrival of their babies, is also devoid of any benches or works to both heal and inspire.

The mothers who attend the PMTCT program come with young children who have nowhere to play.

It is not right that only hospitals that have a budget to commission artists should access art. Four artists from Kuona Trust have come together to create scultpures for the garden, a stained glass window panel, a see-saw for the children and art pieces for the antenatal clinic.

There are still alot more opportunities to push the healing properties of art within this public space – to a population that might not otherwise have access to contemporary art.

Where do you come in

Do you have any art pieces that you would like to donate to Pumwani Hospital?
All the artwork must be for the benefit of the community; images that inspire and uplift – around the themes of both or one of the following: giving life through birth children

Deadline is February 21, 2014.

If you are interested and would like to participate in this loving gesture, please contact Wambui Kamiru at: wambui.kamiru@gmail.com

Cinema Japan

Japan Cinema: Tombstones for the Fireflies, Feb. 22 2014 @ the Japan Information & Culture Centre

Cinema Japan
The Japan Information & Culture Centre invites you to the screening of the movie “Tombstones for the Fireflies” which will be shown on Saturday, 22nd February 2014.

Admission is free of charge and the movie screening is open to all film fans.

Next Screening: Tombstones for the Fireflies
Date: Saturday, 22nd February 2014
Time: 2:00p.m.
Gates Open: 1:30pm
Venue: Japan Information & Culture Centre, Embassy of Japan, Mara Road, Upper Hill

Synopsis
In June 1945 during the air raid in Kobe, Seita and his sister Setsuko lose their mother as a result of an incendiary bomb raid. As their father has been out of contact since he had gone off to war, the brother and sister are taken in by a distant relative in Nishinomiya. Unable to stand the ill-treatment by their aunt, Seita and Setsuko move into a bomb shelter to live alone together. As the war worsens, Setsuko gradually wastes away. Seita cheers Setsuko and tries his best to survive while reminding himself of their kind mother, strict father, and the peaceful days only a few months back. Finally, the day of Japan’s defeat arrives.

In order to attend the movie screening, kindly note that it will be necessary to register beforehand. To register, send an email to jinfocul@nb.mofa.go.jp or call 020-2898510. Deadline for registration is Friday, 21st February, 4:30pm. If you plan to attend the movie with a friend(s), please provide us with your friend’s name when you register for yourself.

IFRA NN

IFRA Conference: Global History & Africa – Swahili Epic in a Global Context, Feb. 17 2014 @ IFRA/BIEA

IFRA NN
Date: February 17, 2014
Venue: IFRA/BIEA Conference Room
Time: 9.30 am – 12.30 pm
Entry: Prior RSVP to seminars@ifra-nairobi.net

Presentations by Carla Bocchetti – Swahili Poetry and Stone Town Architecture, Researcher IFRA and Clarissa Vierke – Facing both ways: Swahili Poetry and the Construction of a Coastal Swahili Identity, Moi University/Bayreuth University.

Discussant: Susan Mwangi – Kenyatta University

Safaricom International Jazz

Safaricom International Jazz Festival 2014 feat Richard Bona, Feb. 23 2014 @ Ngong Race Course

Safaricom International Jazz
Date: February 23, 2014
Venue: Ngong Race Course
Time: 12 pm for 2 pm
Tickets: Students Kshs 300, Regular Kshs 1000 & VIP Kshs 2500

Performances by: Richard Bona, The Nile Project, Rhythm Junks – Belgium, Yuval Cohen – Israel, Aaron Rimbui, Chris Bittok, Eddie Grey, Jacob Asiyo and Kavutha Mwanzia
http://www.youtube.com/watch?v=0WGxlnPIjtQ
Proceeds from this concert will go to the purchase of music instruments for the Ghetto Classics Music Programme.

Ogonga Poster

Exhibition: Line & Smudge by Thom Ogonga, Feb. 17-26 2014 @ the Shift Eye Gallery

Ogonga Poster
Thom Ogonga at The Shifteye Gallery;

Dates: February 17-26, 2014
Entry: Free
Contacts: 0712917426.

About
Thom has combined traditional drawing and illustration techniques with contemporary painting fusing charcoal and soft pastels.

Works on display are an interrogation of human behavior in reaction to the not-so-recent alcohol regulation (Mututho) Bill and how we respond to it.

Final poster Waldemar Bastos

Angolan artist Waldermar Bastos Live in Nairobi, Feb. 19 2014 @ the Louis Leakey Auditorium – National Museum

Final poster Waldemar Bastos
Roots International is proud to present world renowned artist Waldemar Bastos from Angola on stage at the Louis Leakey Auditorium at the Nairobi National Museum on Wednesday, February 19 2014.

About
Waldemar Bastos was born near the border with Zaire in N’Banza Congo, a little town which was the first capital city of the ancient kingdom of Angola. He started singing at a very early age. “One day, my father arrived home and found me playing his concertina. In the following Christmas he gave me an accordion as a gift…” From then on, a young Waldemar dedicated his heart and soul to music. Since money was scarce, the little kid chose music lessons over the possibility of getting a bicycle. “For many years, since I was a kid, I was in various bands, and travelled throughout Angola playing all kinds of music: pop, rock, blues, tangos, waltzes. My music is defined by my own life experiences, praise for Angolan identity, and a call for universal brotherhood. It is gratifying for me to hear critics say, as it recently happened in the USA, that my music is universal. That it is not a regional music, but instead for people everywhere.”

In the meantime, Angola won its independence and followed the long socialist road. Bastos went to Portugal and later to Berlin and from there to Brazil, where he became acquainted with some well known musicians, such as Chico Buarque, João do Vale, Elba Ramalho, Djavan and Clara Nunes who had been in Angola in the late seventies. Waldemar finds EMI-Odeon, and records his first album, “Estamos Juntos”. He recorded his second album, the highly praised “Angola Minha Namorada”, five years later. In 1990 he visited Angola, and did a concert in front of 200.00 people in Luanda. While travelling through Lisbon, David Byrne, the mastermind of Luaka Bop record label, and ex-leader of the “Talking Heads”, bought, by chance, a record of the Angolan singer in a downtown Lisbon shop.

Soon after that Waldemar would be featured in the album “Afropea – Telling Stories to the Sea”, an anthology of Lusophone artists issued by Luaka Bop. Afterwards there was “Pretaluz/Blacklight”, recorded in NYC, produced by Arto Lindsay, and issued by Luaka Bop. The New York Times described it as “one of the best World music records of the decade”.

In the aftermath of “Pretaluz/Blacklight”, Waldemar won the “Award for the Emerging Artist of the Year (1999)”. In 1998, Waldemar was discovered by the European audience and media. After his successful tours in Europe as the opening act at the UNESCO Festival “Don’t forget Africa“ in June 2000 in the Canary Islands. Later in the year he was invited by Mr. Ruichi Sakamoto to take part in the “Zero-Landmine” project in cooperation with international artists like Arto Lindsay, Brian Eno, David Sylvian, Jacques Morelenbaum.

Bastos is included in Tom Moon’s legendary book “1000 recordings to hear before you die”, and three of his compositions were featured in the Hollywood movie The Sweepers . He received several invitations by Prince Ernst August von Hanover and Princess Caroline von Hanover in the course of which he also gave a private concert for Rainier III. Another highlight was the “Bal de Roses” in Monaco in 2004.

Classics of my Soul, is his latest production, recorded in Los Angeles and London, produced by Derek Nakamoto and it features his light hearted music full of optimism and joy.

You can find out more about this legendary Angolan artist on his website

This concert has been made possible through the support of Nairobi Java House, Hotel Emerald in Westlands, and the Lusophone Film Fest Nairobi.