Harambee 63 Talk

A Conversation with Wambui Kamiru on the Harambee 63 Art installation, Sept. 19 2013 @ Kuona Trust

Harambee 63 Talk
Date: Thursday, 19th September from 2pm
Venue: Kuona Trust
Entry: Free

Get to interact with the artist and share your thoughts on our history as Africans as we reflect on the events that took place 50 years before 1963.

Agenda: Looking at various faces of Panafricanism, from Gandhi to Mugabe, Miriam Makeba to Samora Machel.

Open to all.

ziham

Art exhibition: The Bicycle Man by Zihan Kassam, Oct. 1-20 2013 @ Talisman

ziham

The old bicycle man in Kenya, carrying milk, charcoal, wood and newspapers; his face a blur to almost everyone except his family at home. Each day, they wait for his return. Exisiting between the old world and new, with a full view on Kenya’s evolution, he is a voyeur. From rural to metropolis, past to future, quietly he observes the world. Drivers honk their horns and charge the streets. They curse the bicycle man in the way of their important business. Composed, he swings over, let’s them pass. Even shaken, his foot knows the road. He’s learned which urban battles to wrestle; few are worthwhile.

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Traces

Exhibition: Traces with Ann-Kristin Källström & Wycliffe Opondo, Until Oct. 20 2013 @ Le Rustique Restaurant

Traces
TRACES: 2 PRINTMAKERS IN NAIROBI

Dates: Until October 20, 2013
Venue: Le Rustique:

Ann-Kristin Källström
Born 1958 in Stockholm, Swedish artist Ann-Kristin Källström has had exhibitions in Sweden, Germany, Italy, USA a o. Recently, she has spent a 2 months recidency at Kuona Trust Art Centre, Nairobi where she gave a serie of printmaking workhops and made several researchs with found objects letting her to improvise and produce prints from the locally available resources. Through her walks, Ann-Kristin started to collect objects in the streets of Nairobi that captured her imagination and curiosity and created prints using the shape, volume and forms of these found/garbage objects.

The result of these experimentation is exceptionnal. These delicate and exquisite prints using the intaglio printmaking technique whith fabric from the Toi market (Kibera) tells us something about where we live and who we are. They are infinite marks of everyday objects inscribed in the past, they are in their fragility and mortality indirect traces of our beings.

WYCLIFFE OPONDO
Wycliffe is a self-taught artist from Nairobi. He participated in a number of exhibitions, workshops and exchanges including Sweden. For the past several years, he has been learning and using various printing techniques and became one the most skilled Kenyan artist in this field.

The images shown here are inspired by the period when the artist lived and worked in Kibera. The railway was his favorite since it symbolizes the irony of straight parallel lines cutting right through the organized chaos that makes up the slum of Kibera. These refined works shown at Le Rustique capture the environment of the people within Kibera in a very subtle way. A place that, despite many challenges, has its concealed beauty.

Copying Africa

Workshop: Copying Africa by Sarah Schoderer, Sept. 12 2013 @ Kuona Trust

Copying Africa
Copying Africa is a workshop that seeks to explore some formal aspects of contemporary art in Kenya by outlining some theories about art and society.

Can contemporary art give answers to society’s questions?

Date: Thursday, September 12, 2013
Venue: Kuona Trust
Time: from 2pm-5pm
For logistics reasons confirm your participation by email to: info@kuonatrust.org

Open to all

Workshop facilitated by Kuona Trust resident artist Sarah Schoderer